From the circus to the runway

By Anna-Sophie Jürgens For centuries, clowns occupied an ambiguous cultural position. They were comic figures, but also disruptive ones: tricksters who mocked authority and social conventions, picaresque mischief-makers who challenged canons of elegant appearance through their own distinctive, subversive style. The 19th century French mime Jean-Gaspard Deburau transformed the melancholic white-faced Pierrot into a modern […]